A Word Fitly Spoken: Poetic Artistry in the First Four by Les D. Maloney PDF

A Word Fitly Spoken: Poetic Artistry in the First Four by Les D. Maloney PDF

By Les D. Maloney

ISBN-10: 1433103885

ISBN-13: 9781433103889

A notice Fitly Spoken explores major poetic units in the 4 alphabetic acrostic psalms present in booklet I of the Psalter. the vast majority of scholarly opinion has been that those acrostics are poetically and artistically poor as a result of writers’ and editors’ preoccupation with the alphabetic development. unlike this view, A notice Fitly Spoken proposes that the acrostic development contributes to, instead of detracts from, the poetic artistry of those psalms. to be able to advertise a holistic, canonical analyzing of the 4 acrostic poems inside of booklet I of the Psalter, this examine additionally examines the linguistic and grammatical connections in the textual content. this type of shut studying time and again demonstrates the emotive strength and the mind's eye of this literature in contradiction to its supposedly stiff, wood nature. A be aware Fitly Spoken is attuned to the widespread performs on observe and sound that happen all through those 4 poems and as such will be beneficial in graduate classes on biblical interpretation, Hebrew poetry, or the Psalms.

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Extra resources for A Word Fitly Spoken: Poetic Artistry in the First Four Acrostics of the Hebrew Psalter (Studies in Biblical Literature, Volume 119)

Example text

Since this is the first chapter of this study to focus on the text itself, this chapter will be paradigmatic and so a few preliminary comments on format are in order. I will work through Ps 9/10 with a working translation in mind, looking for certain poetic devices and commenting on these when found. I recognize the subjectivity involved in this task. ” even determining the definition of poetry is not a simple task: “To define the term, we shall have to juxtapose what poetry is to what it is not.

CHAPTER TWO Psalm 9/10 T Introduction he focus of this chapter is specifically on the first acrostic psalm in the Psalter’s Book I—Ps 9/10. Since this is the first chapter of this study to focus on the text itself, this chapter will be paradigmatic and so a few preliminary comments on format are in order. I will work through Ps 9/10 with a working translation in mind, looking for certain poetic devices and commenting on these when found. I recognize the subjectivity involved in this task. ” even determining the definition of poetry is not a simple task: “To define the term, we shall have to juxtapose what poetry is to what it is not.

Sinai or a different form of the letters (an ancient controversy). One gets the impression that de’ Rossi does not consider this problem to be a seriously important issue. He concludes: “for my part, all this [the proposed solutions] does not satisfy me. ”42 Finally, the sixtieth chapter of de’ Rossi’s “Words of Understanding” section is the chapter most concerned with Hebrew poetics. He expresses an awareness of the contention of Philo, Josephus, Origen, and Jerome that Hebrew poetry is written in meter, but is dissatisfied with this approach.

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A Word Fitly Spoken: Poetic Artistry in the First Four Acrostics of the Hebrew Psalter (Studies in Biblical Literature, Volume 119) by Les D. Maloney


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